Plumbing Museum App Supports Art Industry in Watertown

The Plumbing Museum has declared the ribbon-cutting and launch of the Manoog Family Artist in Residency Program, a new cultural initiative being provided to the Watertown and Greater Boston communities.

Designed to encourage careers in both the arts and trades, the program provides artists with the physical and financial resources required to explore the relationship between art and industrial engineering. Named after the founding family of the Plumbing Museum, the Manoog Family Artist in Residency Program offers artists the chance to harness their passion and imagination to generate significant artwork, develop their skills and give back to the community, all over the space found at the Plumbing Museum and its partner organization, J.C. Cannistraro.

As part of this program, selected artists are supplied with complete access to studio workspace, fabrication and welding tools, materials and a cash award. The program’s first resident artist, Ryan Leitner, is a recent graduate of Tufts University School of the Museum of Fine Arts, Boston. The autumn residency will conclude with an exhibition at the Plumbing Museum in January 2017.

At home in Australia, it’s not surprising that the plumbers who made an “Ettamagoh” dunny to race at the prior dunny races in the Warrnambool Talent have created a “Cistern Chapel” pipes museum themselves. Warrnambool plumbers Tony Van Rooy and Brian O’Shannessy obviously enjoy a little fun but their Cistern Chapel is significantly more than dunny humour.

The group of plumbing paraphernalia reveals how changes in plumbing technology have made life much easier and highlighting previous plumbers’ abilities as well as the risks they faced. Mr O’Shannessy said he initially believed his buddy Tony’s pastime of collecting plumbing paraphernalia had been “stupid” before he caught the ‘art collection’ bug and joined him in a few collectors’ rallies.

The collection grew and both got a site at the South Western District Restoration Group’s centre that’s next to the Cobden Miniature Railway and Mini Golf Park. In the true spirit of the old plumbers who were ingenuous in repairing things, they recycled a corrugated iron shed from neighboring Dixie to make a home for the makeshift museum.

It houses everything from old nighttime soil cans and architectural engineered timbers to elaborate ceramic and metal piping configurations as well as the major array of different varieties of toilet cisterns the museum is named after. Other displays include round the corner chisels and coin-operated gas meters. Most haven’t been restored to increase the allure of their era.

Tony, 67, and Brian, 62, have been plumbers for several decades and know the tales behind lots of the things including the inspiration for the saying “as flat as a shit carter’s hat” At the time before sewer pipes were set up, night soil carters took off the bathroom cans from backyard bathrooms.

They carried the cans in their shoulders and the hats they wore to protect their heads from spillage and possible corresponding gas installations frequently wore flat. Lots of the museum’s displays are over a hundred years old like a water main made from stainless steel slats bound with wire. When the absorbent wood became wet, it swelled to become waterproof.

The displays elicit lots of laughs and stories from visitors about their experiences with similar products. Comic signs like “Old plumbers do not die, their plungers only perish” and a “Plumber’s Poem” add levity to the museum. Old wooden bathroom doors under laminated structural timber beams have a new function as display boards for ranges of taps. The plumbers delight in opinions in their guests’ book saying that the museum is “a shit place” or something similar. But while they could laugh about their work, they said it was clear improvements in youth had supplied big improvements in quality of life.

“Prior to a flushing toilet was really easy,” Mr Van Rooy said. But even with each of the technologies and essentially blocked plumbing and drains or burst pipes, he stated meeting his clients was among the best parts of his job. The chance to meet people was why he loves doing maintenance plumbing in a form of art as opposed to construction. Mr Van Rooy said while plumbing sometimes involved getting into unsanitary circumstances, plumbers were generally able to keep “from the shit.”

Hanging Tips For Your Art Display Show

Installing a solo art show of your own work is a challenging and fulfilling job. A solo show is most likely something you have actually worked toward for a year or more to showcase your art under stunning art hanging systems. You have a significant psychological investment– and frequently an economic one as well– in its success. If your program remains in a museum or industrial gallery, installing the show will probably be the responsibility of the museum manager or gallery director. But if your program is in a co-op gallery, art association, alternative art area, library, bank, restaurant, office space or your own studio, part or all the duty for arranging and hanging the work will most likely fall on your shoulders. Checking out the installation procedure will help you create a cohesive exhibition that will show your work to its finest light.

Things to think about

The very first obstacle is to acknowledge that, while the works you have actually produced for the exhibition are the factor for the program, the exhibition is not about the works. Rather, the exhibition is a work of art unto itself. Your artworks are just one element of that larger work– the exhibition.

Creating an exhibit is a multidimensional procedure. Amongst the elements that add to a success or failure are the exhibit area, the lighting, the audiences and the method they will move through the space, visual interruptions that are inevitable, focus on your primary purpose for the exhibit, the mechanics of how the artwork will be hung, and the plan of the pieces.

The area

Start by clearing the space as much as possible. Even if there are pedestals, chairs or other furniture that you envision you’ll use in setting up your exhibit, remove them at this moment so you can see the area with as few diversions as possible.

When the space is empty, analyze your environments. Is there any natural light? The number of entryways and exits exist? Are there any pillars, unmovable dividing walls or other blockages in the space? Do the walls need to be touched up from the previous picture hanging systems? Is the ceiling high or low? Is there adequate lighting? Exists anything in or near the area that will take on your work for the audiences’ attention?

After you have actually resolved these questions and other that strike you, it’s time to bring your works into the area– if possible, into the center of the area. Don’t lean the works against the walls at this moment– they’ll end up being an obstacle to visualizing the very best possible layout of your show.

Oil Painting Lessons on Various Topics

Being the most popular medium due to its forgiving nature, many of the artists wish to learn to oil paint as a means of self-expression and creativity and with this intention in mind, enroll for classes wherein they can expect to learn the different oil painting techniques from the maestros of the field. In this respect, the student might as well bear in mind the fact that like all new activities oil painting also needs to be learned from scratch and that there is no short cut which would enable one to become an accomplished oil painter overnight. However, joining oil painting lessons would undoubtedly speed up the process as one would get an opportunity to learn to oil paint by incorporating the various oil painting tips imparted by the guru.

Initially, while oil painting how to paint landscapes, seascapes, animals, and flowers forms the content of the oil painting lessons as instructions pertaining to the various oil painting techniques employed for painting these subjects are imparted to the student artist. Landscape, being the easiest, is not only the most common but also the first to be handled by beginners by utilizing some of the traditional oil painting techniques. While painting a landscape with oils, the student is instructed to start from the sky and gradually move downwards. This is not only in keeping with the light to dark rule but also entails the application of the wet-in-wet technique. One way of imparting depth to landscape oil is to paint the farther objects in light colors and the closer details in dark colors.

Attempting a seascape is comparatively a more challenging task but certainly not impossible to achieve for a dedicated student who believes in a lot of practice. Seascapes are best painted by utilizing the wet-on-wet technique which entails the application of wet paint on top of another wet paint so as to create soft edges and proper blending of different colors. Seascape is usually replete with clouds, foam, waves and beaches and sometimes a lighthouse as well all of which can be depicted by maintaining a certain angle of the brush stroke. A beginner needs to remember that while painting a wave, the inside of the wave requires an under curve brush stroke whereas the top of the wave requires an overhand.

Painting animals is a more complex task as one needs to keep in mind details like long fur, short fur, eyes and the overall proportion. In this regard, one of the noteworthy recommendations pertaining to making an oil painting of animal is to copy from a picture and try to produce the closest possible replica in terms of the mood, theme, and expression of the particular animal or a bird. This would not only provide the artist with practice in various techniques but would also make him versatile. Likewise, for painting flowers, one would need a vast array of colors and a combination of several techniques in order to be able to acquire the desired result.

Having mastered most of the traditional techniques through these basic subjects, one can then graduate on to more complex subjects and even oil painting as an outlet for one’s dreams and fantasies.